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Print Time Code: Prints the project timecode on the video as an overlay on your video. In the Scene Picker dialog box, you can select your scenes by sequence if your project contains sequences -see Tracking Changes. If you decide on the latter, be sure to enter in the frame range in the fields provided. You can deselect this option if needed.ĭecide whether you want to export the entire project (All), just a selected frame range, a selected scene, a selected panel, or tracked panels. The EDL/AAF refers to the same sound elements. If sound elements in the timeline are used more than once, the elements are not duplicated.

#Pluraleyes 4 export aaf movie

Generate Video Files: If you only need the EDL, AAF or XML files to be generated, you can deselect this option and no video files will be rendered.Ĭopy Audio Files: By default, during the export to EDL/AAF, the original sound elements used are copied to the same location as the QuickTime movie clip’s and the EDL or AAF file. to configure the video settings (codecs, quality) -see Exporting a QuickTime Movie to learn more about the option available via the Video Config. The storyboard scenes are exported in QuickTime format. to obtain better granularity during editing since the storyboard will have smaller movie clips.

The One Movie Clip Per Panel option is useful if you want to export more than one QuickTime movie clip per scene (which might contain more than one panel) e.g.

#Pluraleyes 4 export aaf full

Use the resolution drop-down menu to define the output resolution since you might not always need to export the storyboard at full resolution (you can select Full, Half or Quarter of a project’s resolution). NOTE: If your editing system is not in the list, check its specifications to verify which format can be imported.

#Pluraleyes 4 export aaf mac os x

Premiere Pro on Windows cannot open AAF coming from Windows (and AAF is not supported on the Mac OS X version of Premiere Pro). Final Cut Pro also supports XML.ĮDL ( Mac OS X) With EDL, media will have to be linked manually one by one. AAF is supported in FCP with a plug-in from Automatic Duck. The format will be chosen depending on the destination application:Īpple Final Cut Pro EDL: In EDL, if you are using audio elements more than once in the timeline, FCP will not be able to reconnect the media.

In Export Type, select the format in which to store the timing information (timecode for panels and audio tracks).

You can add a number between the % sign and the letter of the variable to define a minimum number of characters to use. %l = Layer name (when exporting one image per layer) %q = Sequence name (when project contains sequences) The following variables can be used to define the file name pattern: Leave this field blank to use the default pattern.

In the File Pattern field, you can set your own pattern which will be used to name the files created from the export.

You should create a folder for your exported project since Storyboard Pro will generate several files during the export. You can type in the exact path or use the Browse button to browse to a specific folder on your system.

In the Destination Path, select a folder in which to save your storyboard project.

The Export to EDL/AAF/XML dialog box opens.

To export a storyboard to EDL or AAF or XML:

#Pluraleyes 4 export aaf how to

This section will explain how to export your storyboard in EDL or AAF format, then how to import your project into a major NLE system. If the frame number is 48, and the user specifies the following in file name: If the text-value is shorter than this length, it will be left-padded by 0 (zero). The number in-between represents the minimum length to display it. %4F => global frame on 4 chars (Image Sequence Only) %3f => frame on 3 chars (Image Sequence and Bitmap) %2p => panel name on 2 chars (all export formats) %4s => shot name on 4 chars (all export formats) It is possible to define sequential file name patterns when exporting to Image Sequence, Bitmap, EDL, and AAF (movie files). This section includes the following topics: It is possible to export your storyboard project, and preserve the timing, motions and sounds edited with Storyboard Pro, directly to Apple Final Cut Pro using EDL or XML formats or to Adobe Premiere, Avid Xpress, or Sony Vegas using AAF format. It could be to complete the animatic in a real editing suite with a direct return on TV, or it could be to use it as a pre-editing map to replace the storyboard scenes with the final materials (shot in live action or rendered from a 2D or 3D software). Once a storyboard is done, there are several reasons to send it to a Non Linear Editing (NLE) system.